![]() ![]() New Freshwater and Species World Record Opportunities ![]() de Chautla, Puebla :: Silvestres & Salvajes :: Pez Vela on the Fly :: Líderes para Pescar con Mosca en el Mar :: Pescando con Mosca en Zihuatanejo :: El Bonefish de Agua Dulce :: Tecnicas de Liberación :: Backing para Carretes de Mosca de Mar :: 10 TIPS para Pesca Vertical :: Pesca en Zimapan con Juan Antonio Pérez, GUIA DE PESCA DE LOBINA :: CARPAS CON MOSCA con LUIS VARGAS Rigthfly :: Ficha Técnica Atún Aleta Amarilla :: 130 Tips en la Pesca del Robalo :: Carretes para Pescar en el Mar :: Nudos para Pesca con Mosca :: Al primero por una :: Compañeros en la pesca :: Sabalo fly fishing, la marca mítica de las 200 libras :: Entendiendo a la Carpa :: LOS TROFEOS DE LA CIÉNEGA :: Mosca Closer Minnow :: Diferencias entre los Ambientes de Lagos y Rios en la Pesca Trucha :: Líneas de Mosca para Mar :: Introduccion a la Pesca con Mosca en Mar :: Donde Pescar, 22 de Diciembre de 2021 :: El Arreglo Wacky para Trucha :: Un Truchón Compartido :: El Salto es todo lo que dicen :: Rapala X-Rap :: Las Tradiciones, Nuestra Mejor Herencia :: Pasajes de la Historia, CLUB LA TRUCHA :: Especies para Pesca con Mosca en el mar :: Señuelos, Técnicas y Carnadas para la Pesca de Trucha :: Tecnicas de Pesca en los Bajos (flats) :: Cañas de Mosca para Pescar en el Mar :: Reunión y torneo del Norteños bass club :: Viaje Club Península :: El Arte de Capturar y Liberar la Lobina :: Un Sábado de Récord :: Armada 261 para Lanzamiento a Distancia de Señuelos de Bajo Peso :: 100 Tips para la Pesca del Sabalo Ficha Técnica de la Especie :: El Tesoro de la sierra madre, El Salto, Sinaloa :: Mi primera café con guantes :: La Trucha Arcoiris, Reina de las Aguas Claras y Frías :: Algunas Consideraciones sobre las Cañas Traveler :: El Poderoso Nudo Midnight Knot :: De regreso al podium pero JUNTOS :: Lobinas Trofeo ❼ómo pescarlas? :: Nuestros Rios Depredados :: Récord Mundial de Trucha Arcoiris :: Uso de la Red como Recurso Auxiliar :: Triple Play en la Ex Hda.
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![]() He raises the question of witchcraft in his painting not only because power in contemporary Zaire is inextricably linked to it but also because witchcraft fits into the West’s way of knowing Africa. Along with a recounting of his exhibition history, Chéri Samba tells competitor artists who accuse him of casting a spell on them that his success is due not to witchcraft or hysterics but to simplicity in life and hard work.īut, of course, Chéri Samba is not a simple artist. The text in Self-portrait, 1989, also concerns the theme of creativity. In L’Espoir fait vivre (Hope allows for life, 1989), a painting about his own success story, he explains that he made it to the top through diligence, patience, and the blessing of the ancestors and without resorting to witchcraft. Chéri Samba works within such tribal concepts as witchcraft, ancestor worship, and magic. His reclaiming of the stereotype of Africa in the modern imagination is one clue to his success. I found myself thinking, Chéri Samba is the Amos Tutuola of African art-the stereotype that strikes back. The depicted human figures were rendered in such a dark chocolate hue that they seemed to melt under the light. I found myself transported to Africa by these strong colors and the primacy of their exotic denotations. The Chéri Samba gallery was aflame with the artist’s palette of hot reds and yellows amid life-giving greens, sea blues, and flowery violets. More than most contemporary artists, his art treats head-on those same questions of power, fear, morality, and overt sexuality in representation found in the larger exhibition. It seemed impossible to avoid retaining the impressions of the tribal art, its beautiful, terrifying, and abstract symbolism, as one entered the gallery devoted to Chéri Samba’s paintings (the first show of the work of a single contemporary African artist in the museum’s history). To reach the Chéri Samba show, one first had to traverse the arresting exhibition of Nigerian masks and statues (the size and quality of which make one realize why some people felt that the Guggenheim Africa show underserved the continent). In 1982, Ngangura Mweze’s short film Kin Kiese (Kinshasa the Beautiful) featured the artist and his tableaux as a way of revealing the contradictory colors of the city. Like advertising slogans, his language often takes a shortcut to meaning, making use of a popularized expression like “ conjoncture,” for example, which means economic crisis, belt tightening, and resourcefulness all at once. They combine images that are accessible to a wide audience with narrative prose written largely in Lingala and colloquial French. Like other market artists in urban Africa, his paintings, influenced by narrative techniques borrowed from comic books, movie posters, and cartoons, deal, often humorously, with the faits divers of modernity and its impact on life on the continent. Samba emerged as a street artist in Kinshasa, Zaire, in the late ’70s, painting tableaux of market scenes, prostitution, and anecdotes about power and corruption. A jealous filmmaker friend of mine even describes him as the new chouchou de la ville. Since 1989, when he was included in the Pompidou’s controversial “primitivist” blockbuster “ Magiciens de la terre,” Chéri Samba has never ceased to surprise and tease the imagination of the French with his “naive” paintings. Never mind the fact that the French have shut the doors to African immigration-an image often found in his narrative paintings. Chéri Samba’s retrospective of thirty-eight works at the Paris museum could not have been better timed. ![]() The Musée National des Arts d’Afrique et d’Océanie recently showed 276 traditional pieces from Nigeria-a stunning exhibition including some of the most beautiful Igbo masks I have ever seen along with Benin, Yoruba, and Ogoni statutes and masks. African art flourishes on the Left Bank: there are antique shops on Rue de la Seine, and this summer brought shows of Ouattara at Gallerie Boulakia at the Rue Bonaparte and a combined photography and mask exhibit entitled “ Les Dogons” on Rue des Beaux-Arts. Paris likes to brag about being the capital of African art, ahead of London, Tokyo, and New York. Musée national des Arts d'Afrique et d'Océanie ![]() Even if it wasn’t good for you, you could likely find someone who actually needed it. But it also reduces the reward of continuing to grind gear, before drops became soulbound, every legendary drop counted. I like the soulbound aspect of this game, mainly because it makes your loot feel earned. Now going to face Bosses with their story and their mechanics quickly turns into a nice way to cap-off a good play session, if the increased droprates are significant enough players would finish their play sessions feeling justly rewarded, as the last thing they’d see for the day would be a pile of freshly-minted legendaries. Imagine you got a stacking buff every-time you killed an elite, but that buff only increased boss droprates and was consumed when you killed a boss. Much more prominent are the Rift Guardians, glorified knock-off mini-bosses that lack the lore and significance of their original counterparts.ĭo you remember Baal Runs? Meph Runs? As flawed as the “skip everything but the boss” design might have been, I’d rather fight an interesting boss than flop around killing random minions. Yet, boss battles are criminally underused. Diablo 3 has a great boss system, it is the only place in the game where you can literally wipe and reset the encounter, this makes bosses unique and rewarding. In Diablo 3, bosses are reduced to a DPS measuring stick (I’m looking at you Ghom). World of Warcraft raiding is all about beating these cool bosses and tackling encounters with interesting mechanics to get the best loot avaliable. Then again, who farms bosses on D3? Not many people, not any efficient people, This is rather sad because Bosses have a special mystique to them. With targeted farming, Goal-Driven players would have much more incentives to put hours into the game. Lets say I really need that Furnace to keep progressing in Greater Rifts, if I knew that the Furnace had a way higher chance of dropping out of Azmodan I’d be more inclined to go on a Sin Lord farming spree until I got my valued weapon. The second is that you completely remove short term goals. From here we have two problems, the first is that you will spend the rest of your days farming in the same way, which gets tedious. In Diablo 3, unless you want a Cache specific legendary, the “where do I farm?” question always has the same answer, and that’s “wherever you can get the most legendaries/hour”. Little Targeted Farmingīack in Diablo 2, you had an idea on which areas, enemies, and bosses were the best to farm when you wanted a particular item. Paragon levels are endless, and for all practical purposes Greater Rifts are endless aswell. Working your way up to finish the game in T6 will admittedly take longer, but how many people are looking for that challenge? In Diablo 3 you can easily beat the entire game for the first time in a few hours, then make it to the level cap in about 10 hours of gameplay. ![]() And almost all of them had another thing in common, they never did. I knew a lot of D2 players, and most had one thing in common they wanted to get their main character to the level cap. There is something about gamers and caps, people just like to max things out. But why is D3’s grind any different than D2’s? Lets look at a few factors that are key when analyzing this game’s replayability. Maybe it is the times that have changed, but Diablo 3’s main value might be its story rather than the endless end-game grind. I mean, that’s what we loved to do in Diablo 2 right? We came in knowing that we were going to go through the story many times in different difficulties, and maybe even with different characters aswell. 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Servers Overview Task 1: Setting up the client machine Task 2: Setting up the database server Preparations Configuring Windows Defender Firewall Starting the database Task 3: Setting up the Web server Overview Preparations Installing Web Server (IIS) Deploying app files to Web Server Task 4: Setting up the development PC Preparations Creating the ODBC data source for the remote database Creating a Web server profile for remote deployment Uploading the cloud app launcher and the runtime files to the Project Import license and activate PowerServer Analyze the unsupported features Build and deploy the PowerServer project What is the PowerServer C# solution What settings will be deployed to the solution Build & deploy using commands Run the ServerAPIs.Tests project Compile and run the Web APIs Check the status of Web APIs Run the installable cloud application Customize the app entry page Customize the deployed app using commands Change the Web API URL Change the External Files Encrypt the password Support cookie validation View documentations for PowerServer Management APIs Get/Kill user sessions Package the client app Undeploy the client app Uninstall the client app Roll back to an earlier version of app Tutorials Tutorial 1: Deploying your PowerServer project to remote Project Creating the PowerServer project Creating a new PowerServer project Configuring the General tab Configuring the External Files tab Configuring the Runtime tab Configuring the Client Deployment tab Configuring the Web APIs tab Importing the PowerServer license Building and deploying the PowerServer project Starting the Web APIs Running the installable cloud application How-to Guides Overview Create the PowerServer project Define the PowerServer projects Configure the Web server for deployment Upload the cloud app launcher and the runtime files About cloud app launcher Customize cloud app launcher Configure the Web API settings Configure the database connection Select the database driver Configure the database connection in the Database Configurationĭialog Map the transaction object with the cache Create DB connection profiles Manually change the database connection in the ServerAPIs NET Server Database Server Network requirements Quick Start Overview Preparing a local development environment Installing IIS in Windows 10 Verifying the example sales app Minimal efforts: Deploying the sample PowerServer project Adjusting the sample PowerServer project according to yourĮnvironment Building and deploying the PowerServer project Starting the Web APIs Running the installable cloud application Full experience: Creating and deploying a new PowerServer Table of Contents Installation PowerServer components Architecture Installation requirements Client PC Development PC Web Server. |
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